This is a course about photographing moving subjects, whether it be dogs, birds, or tractors.
There are no FDSA class prerequisites for this class. However, this is an advanced photography class and not intended for students who are beginning photographers. (Shoot the Dog, also offered this term, is a great class to consider if you're not ready for this one!)
If you've ever wondered how the pros get those dynamic action shots, this is the class to take! You will learn strategies to improve the chances of getting your own dynamic action shots, as well as how to set reasonable expectations for the number of great images you'll get in any given session. (Hint: it's WAAAAY less than you think.)
This class will consist of a mix of written lectures and screen-capture videos. Photo Lab assignments are given two times a week.
GOLD STUDENTS have an "All Access Pass" for this class. You will complete the Photo Labs and receive feedback on the results. You can post in your own Homework Forum thread, as well as posting more general questions that may apply to all students here in the Class Discussion forum.
SILVER STUDENTS will be to post one photo a week (6 total), accompanied by a specific question about the photo, as well as participate in the Discussion forum. This will allow Silver students to get direct feedback on a limited number of their photos and any problems they have encountered. Photos can only be posted once a week and cannot be rolled over for future weeks.
BRONZE STUDENTS are auditors and can read everything that is written, but not interact with the students or instructor directly.
See the "Prerequisites & Supplies" for details about the equipment I recommend for the class.
Registration
Next session starts: June 1, 2018Registration starts: May 22, 2018Registration ends: June 15, 2018
Registration will begin at 9:30am PDT.
For answers to commonly asked questions see our FAQ page.
SILVER LEVEL PILOT PROJECT - (Photography version) In addition to asking GENERAL clarification questions about the class lecture materials, silver students will now have the opportunity to submit six photos, accompanied by a specific question about one aspect of the photo. The question must relate to a topic in the class and the photo must be a demo of the question. Please see the discussion forum for a detailed explanation - feel free to sign up at bronze, read the explanation, and then come back here to upgrade to silver if that interests you, and if space is available.
If you are interested in a bronze level subscription, you can sign up at any time during the registration period.
Syllabus
Week 1
Setting reasonable expectations for yourself
Equipment choice and why it matters
Predictable vs. Unpredictable motion
Week 2
How to choose your exposure settings for motion
What is hiding in your camera’s menus?
Week 3
Strategies for continuous focus success
Week 4
How to hack the Plane of Focus
Week 5
Editing a photo session - Which photos do I keep and which do I delete?
Identifying moments of peak action - Which photo is the best in a series of good?
Week 6
Final Portfolio
Prerequisites & Supplies
There are no FDSA class pre-requisites for this class. However, this is an advanced photography class and not intended for students who are beginning photographers.
Students in Chase the Dog must have a strong understanding of how their DSLR works and be comfortable taking photos with it. This includes, but is not limited to:
Understand the three elements of exposure (shutter speed, aperture, and ISO)
Understand how the three elements of exposure impact the way an image looks
Be able to consistently choose the appropriate exposure for a subject
Be comfortable shooting in manual exposure mode
Be able to take tack-sharp photos of subjects that are stationary
Students may shoot in either RAW or JPG file format. If you shoot in RAW, it is expected that you are comfortable processing the image in Lightroom, Photoshop, or similar software.
Camera recommendations
While a good photographer should be able to take good photos with any camera, photographing dogs in motion is one instance where a better camera will result in better photos.
Canon
Any of the 1D pro bodies (highly recommended, but very expensive)
7D Mark 2 (highly recommended and reasonably priced)
5D Mark 3 or Mark 4
Nikon
Any of the D# pro bodies (highly recommended, but very expensive)
D500 (highly recommended and reasonably priced)
D810
Any other Canon or Nikon DSLR is acceptable, but you may find that the camera struggles more to track the movement of your subject.
Lens recommendations (both Canon and Nikon)
70-200mm f/2.8 or f/4
24-70mm f/2.8
24-105mm f/4
Any moderate zoom lens with a fixed maximum aperture
Variable aperture lenses are generally lower quality lenses and may not perform well under certain situations. However, they are acceptable for the class as long as the student acknowledges their limitations.
If you have specific questions about your gear and its suitability for the class, please email Amy at This email address is being protected from spambots. You need JavaScript enabled to view it..
Sample Lecture
Types of Motion: Predictable VS Unpredictable
DEFINITIONS
First we start with some vocabulary to make sure we are all on the same page. I will avoid using brand-specific terminology and stick to the more general terms instead.
Plane of Focus is the portion of the photo that is sharply focused. It is established when you engage your camera’s autofocus system and tell it where to focus.
Here is a very short video demonstrating Plane of Focus:
Continuous focus mode or focus tracking is the autofocus mode notated by AF-C in Nikon and AI-Servo in Canon. This is the focus mode where the camera will continually refocus as the subject (or the camera!) moves. This is often (but not always) the best way to get sharp photos of moving subjects.
In continuous focus mode, the Plane of Focus (POF) is constantly changing as the distance between the camera and the subject changes.
Single shot focus mode or focus lock is the autofocus mode notated by AF-S in Nikon and One Shot in Canon. This focus mode is the one that allows you to focus on something and it will stay locked at that distance until you decide to refocus elsewhere. When you use focus lock, you are establishing the Plane of Focus (POF) at a certain distance away from the lens and the camera. You are *not* telling the camera to stay focused on a certain thing, so if you move the camera, the POF moves with you.
Active autofocus (AF) point is the single focus point you are allowing the camera to use to take the photo. We use a single focus point because we are control freaks. We want to be precise when we select the part of the image that should be in focus. Your camera should have a control button or dial that allows you to quickly change which AF point is active. The center AF point is not always the best point to use. The more comfortable you are moving that active point around, the faster you will be able to compose your shots in-camera, even when the motion is coming at you quickly.
TYPES OF MOTION
In my head, photographing motion is broken up into two broad categories -- motion that is predictable and motion that is unpredictable. The settings you use can depend on which types of motion you are photographing. Don’t panic if this doesn’t all make sense at first. This is the really broad view of the entire class and we’re going to take six weeks to start to figure it out.
Predictable motion with pre-focus
Predictable motion with pre-focus is the kind where you know what the dog’s path is going to be, such as in agility. In addition, there must be some fixed point along the dog’s path where you can pre-focus (using single shot focus mode) and wait for the dog to “break through” the POF. In agility, the obstacles themselves serve that purpose.
Agility it the poster child for predictable motion with pre-focus. The success of the shots does depend on the dog following the course as it’s numbered. It also depend on being able to visualize the POF and pick a point on the obstacle that makes the most sense to capture the moment you want as the dog performs the obstacle. It’s all one big strategy game to me — a puzzle to work out in my head. Sometimes I pick right and I win (get the shot) and sometimes I choose poorly and I lose (miss the shot).
The active focus point is chosen to minimize the amount of recomposing the shot. When you recompose (move the camera slightly to make the composition of the shot better), you also shift the POF slightly. This can sometimes work in your favor, but more often than not, it doesn't.
The other consideration for choosing your active focus point is the background. If there are lots of straight lines and high contrast, you know that the camera is going to be drawn to that like a bee to honey. Selecting a focus point that uses an area where the camera can’t get confused about what you want it to focus on is critical to achieving a tack-sharp image.
Predictable without Pre-focus
There are some kinds of motion that are predictable but have to be photographed with continuous focus. Obedience and lure coursing are two that come to mind. Horse dressage would be another. The dog (or horse) is following a pre-determined path or pattern, but there is nothing along that path to allow us to pre-focus. In those cases, we use continuous focus, but we should have a very smooth motion as we’re following the dog with the camera, since we know where the dog is going next.
Once you’ve gotten experience with this type of predictable motion, you will find that you have a much better keeper rate since you can predict where the dog is going to be.
Unpredictable motion
Everything else is unpredictable motion. This includes dog sports like nose work and disc dog, as well as those crazy play sessions that take place in your backyard or out on a hike. That unpredictability is what makes taking these kinds of photos so difficult. We follow the dog’s motion with the camera as best we can, but any quick turn or unexpected motion may cause the camera’s autofocus system to lose track of the subject and result in blurry pictures.
With unpredictable motion, there is no opportunity to pre-focus, so we have to use continuous focus mode. The active focus point is chosen to keep the dog in the appropriate part of the frame to allow for adjusting the composition after the fact. There’s an art to finding the right balance of shooting too tight and shooting too wide.
The critical skill to develop with unpredictable motion is panning. Your movements need to be smooth and steady. You have to keep the active focus point locked on a point on your subject that will make the face (especially the eyes) the sharpest part of the image. You need to anticipate where your subject might go next in order to keep it in the frame.
Capturing unpredictable motion, particularly motion of fast-moving dogs, is one of the hardest types of photography there is. You will have a million duds that just end up in the trash. Over time, you learn strategies and techniques that will improve the odds of getting more shots in focus.
This purpose of this class is to teach you some of the strategies and techniques that I have developed over the years. You will not be an expert at it at the end of six weeks. But you will have a start on training your eye and your mind to anticipate what is going to happen and react faster. You will develop a feel for your equipment and know what it is capable of, as well as knowing what kinds of things will be almost impossible to photograph.
In your first Photo Lab, you will think about the types of motion you usually photograph and categorize them according to these terms. Is it Predictable with Pre-focus? Or Predictive without Pre-Focus? Or is it Unpredictable? (More detailed instructions follow in a separate post.)
